British UNIMA Centre Bulletin issue 94 - Published 1997
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- Publication date
- 1997-03-01
- Topics
- BrUNIMA, Belgium UNIMA, Puppet Theatre on the Front Lines of World War II, Puppets in Theory, The Colour of Sculpture 1840 - 1910 exhibition, Colwyn Bay Puppetry Weekend, Tom Howard obituary, John Blundell, Kath Beresford, Ursula Bach, Biana Oestmann
- Collection
- journals_contributions; journals
- Contributor
- Rober Fowler
- Language
- English
- Item Size
- 22.8M
This first issue first to be edited by Robert Fowler features the twinning of BrUNIMA with Belgium UNIMA. John Furse provides notes and impressions on the tour to puppetry venues in Belgium by 18 of our members, and Ted and Kath Beresford describe their visit to Bruges and Ghent. Ursula Bach and Bianca Oestmann write about Puppet Theatre on the Front Lines of World War II. Graham Lee writes on Puppets in Theory and John Phillips reviews The Colour of Sculpture 1840-1910 exhibition and its relationship to puppetry. Ray DaSilva reviews the recent Colwyn Bay Puppetry Weekend which included the auction of Eric Bramall’s marionettes of the Harlequin Theatre. There is an obituary for Tom Howard who played a significant part in the development of BrUNIMa. Tributes are paid to the previous editor John Blundall, who produced the previous 55 issues of this magazine.
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This first issue first to be edited by Robert Fowler features the twinning of BrUNIMA with Belgium UNIMA. John Furse provides notes and impressions on the tour to puppetry venues in Belgium by 18 of our members, and Ted and Kath Beresford describe their visit to Bruges and Ghent. Ursula Bach and Bianca Oestmann write about Puppet Theatre on the Front Lines of World War II. Graham Lee writes on Puppets in Theory and John Phillips reviews The Colour of Sculpture 1840-1910 exhibition and its relationship to puppetry. Ray DaSilva reviews the recent Colwyn Bay Puppetry Weekend which included the auction of Eric Bramall’s marionettes of the Harlequin Theatre. There is an obituary for Tom Howard who played a significant part in the development of BrUNIMa. Tributes are paid to the previous editor John Blundall, who produced the previous 55 issues of this magazine.
This first issue first to be edited by Robert Fowler features the twinning of BrUNIMA with Belgium UNIMA. John Furse provides notes and impressions on the tour to puppetry venues in Belgium by 18 of our members, and Ted and Kath Beresford describe their visit to Bruges and Ghent. Ursula Bach and Bianca Oestmann write about Puppet Theatre on the Front Lines of World War II. Graham Lee writes on Puppets in Theory and John Phillips reviews The Colour of Sculpture 1840-1910 exhibition and its relationship to puppetry. Ray DaSilva reviews the recent Colwyn Bay Puppetry Weekend which included the auction of Eric Bramall’s marionettes of the Harlequin Theatre. There is an obituary for Tom Howard who played a significant part in the development of BrUNIMa. Tributes are paid to the previous editor John Blundall, who produced the previous 55 issues of this magazine.
This first issue first to be edited by Robert Fowler features the twinning of BrUNIMA with Belgium UNIMA. John Furse provides notes and impressions on the tour to puppetry venues in Belgium by 18 of our members, and Ted and Kath Beresford describe their visit to Bruges and Ghent. Ursula Bach and Bianca Oestmann write about Puppet Theatre on the Front Lines of World War II. Graham Lee writes on Puppets in Theory and John Phillips reviews The Colour of Sculpture 1840-1910 exhibition and its relationship to puppetry. Ray DaSilva reviews the recent Colwyn Bay Puppetry Weekend which included the auction of Eric Bramall’s marionettes of the Harlequin Theatre. There is an obituary for Tom Howard who played a significant part in the development of BrUNIMa. Tributes are paid to the previous editor John Blundall, who produced the previous 55 issues of this magazine.
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- bulletin-94
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